{"id":1564,"date":"2020-06-08T13:56:20","date_gmt":"2020-06-08T11:56:20","guid":{"rendered":"http:\/\/test.oderbruchmuseum.de\/?p=1564"},"modified":"2025-01-28T16:59:45","modified_gmt":"2025-01-28T15:59:45","slug":"salon","status":"publish","type":"post","link":"https:\/\/oderbruchmuseum.de\/pl\/salon\/","title":{"rendered":"Salon \u017b\u00f3\u0142ty"},"content":{"rendered":"
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Zaproszenie do rozmowy<\/h3>\n\n\n\n

Oderbruchmuseum to muzeum komunikacji krajobrazowej. Rozwija si\u0119 dzi\u0119ki dialogowi, a w tym salonie staramy si\u0119 rozmawia\u0107 ze sob\u0105 na tematy zwi\u0105zane z regionem. W bogatych ramkach do zdj\u0119\u0107 prezentujemy r\u00f3\u017cne aspekty rozmowy ze sob\u0105 z naszych wywiad\u00f3w - s\u0142uchanie, opowiadanie, zadawanie pyta\u0144, dyskutowanie i swobodn\u0105 wymian\u0119 zda\u0144.<\/p>\n\n\n\n

Stary sekretarzyk w tym pokoju jest reminiscencj\u0105 s\u0142ynnych salon\u00f3w kobiet z Friedland w pobliskim Kunersdorfie, gdzie spotyka\u0142y si\u0119 rolnictwo, sztuka i intelekt. Tutaj znajduje si\u0119 ksi\u0105\u017cka artysty z wydawnictwa Loose Art: Listy rolnicze Henriette Charlotte von Itzenplitz do Albrechta Daniela Thaera z oko\u0142o 1800 r.<\/em>pod redakcj\u0105 i z przypisami Heide Inhetveen i Heinricha Kaaka, zdj\u0119cie list\u00f3w, faksymilia i projekt Christiane Wartenberg.<\/p>\n\n\n\n

Sekretarzyk jest ostatnim zachowanym meblem z zamku Kunersdorf, kt\u00f3ry zosta\u0142 zniszczony podczas II wojny \u015bwiatowej. Ka\u017cdy, kto przegl\u0105da sekretarzyk, mo\u017ce odkry\u0107 wyj\u0105tkow\u0105 histori\u0119 tego mebla.<\/p>\n\n\n\n

Nie siedzisz wygodnie w \u017b\u00f3\u0142tym Salonie, ale jeste\u015b na r\u00f3wni z innymi i dzielisz odpowiedzialno\u015b\u0107 za dyskusj\u0119. Om\u00f3wili\u015bmy tu ju\u017c wiele temat\u00f3w w otwarty, pe\u0142en zaufania i niezwykle produktywny spos\u00f3b. Publikujemy nasze dyskusje w salonie w naszym biuletynie, ale pok\u00f3j jest r\u00f3wnie\u017c wykorzystywany spontanicznie. Je\u015bli masz jakie\u015b sugestie dotycz\u0105ce tego, co powinno zosta\u0107 om\u00f3wione lub chcia\u0142by\u015b skorzysta\u0107 z pokoju do dyskusji z maksymalnie 20 osobami, skontaktuj si\u0119 z nami!<\/p>\n\n\n\n

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Archiwum pomieszczenia<\/h2>\n\n\n\n
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2018 Zwischenraum - Kosmiczna instalacja autorstwa Kerstin Baudis<\/strong><\/h3>\n\n\n\n

Wewn\u0105trz i na zewn\u0105trz, dom i krajobraz, biedni i bogaci - wszystko jest po\u0142\u0105czone.<\/p>\n\n\n\n

W ramach corocznego tematu rolnictwa 2018 artystka Kerstin Baudis zbada\u0142a, w jaki spos\u00f3b u\u017cytkowanie grunt\u00f3w w Altranft i okolicach zmieni\u0142o krajobraz kulturowy i spos\u00f3b, w jaki ludzie \u017cyj\u0105 razem na przestrzeni czasu. Rozmawia\u0142a z mieszka\u0144cami wioski, bada\u0142a krajobraz, prowadzi\u0142a badania. W rezultacie wykorzysta\u0142a istniej\u0105ce meble w okaza\u0142ych pokojach zamku, aby stworzy\u0107 przestrzenie, kt\u00f3re ujawniaj\u0105 utrat\u0119 i zysk dynamiki krajobrazu kulturowego.<\/p>\n\n\n\n

W czterech interwencjach na zamku tematycznie przedstawi\u0142a r\u00f3\u017cne aspekty dworskiego rolnictwa - od produkcji bogactwa po bied\u0119, ucieczk\u0119 i tera\u017aniejszo\u015b\u0107 - i znalaz\u0142a mo\u017cliwo\u015bci dla tw\u00f3rczych odpowiednik\u00f3w w domu rybaka. Tak jak we dworze wida\u0107 by\u0142o, \u017ce bogactwo zosta\u0142o wypracowane dzi\u0119ki pracy na roli, tak teraz w domu robotnika rolnego mo\u017cna by\u0142o zobaczy\u0107, jak srebrne naczynia wydosta\u0142y si\u0119 przez komin czarnej kuchni i jaki czas pracy po\u015bwi\u0119cono na buszel zbo\u017ca. Praca Kerstin Baudis nie dotyczy\u0142a jednak przede wszystkim niesprawiedliwo\u015bci spo\u0142ecznej, ale przede wszystkim ustanowi\u0142a po\u0142\u0105czenie mi\u0119dzy r\u00f3\u017cnymi cz\u0119\u015bciami muzeum. To, co na zewn\u0105trz, odbija\u0142o si\u0119 we wn\u0119trzu, a wn\u0119trze by\u0142o odwr\u00f3cone na lew\u0105 stron\u0119. Stworzy\u0142o to wra\u017cenie przestrzeni pomi\u0119dzy.<\/p>\n\n\n\n

Praca Kerstin Baudis by\u0142a bardzo cenna dla rozwoju muzeum. Nie tylko wzbogaci\u0142a coroczny temat o wiele interesuj\u0105cych instalacji przestrzennych, ale tak\u017ce da\u0142a muzeum impuls do dalszego odwa\u017cnego obchodzenia si\u0119 z przestrzeniami, kt\u00f3re powsta\u0142y w czasach skansenu. Od tego czasu w wielu miejscach uda\u0142o si\u0119 uszanowa\u0107 ich charakter, ale jednocze\u015bnie wprowadzi\u0107 w\u0142asne pytania i zastosowania.<\/p>\n\n\n\n

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2017 Pokoje go\u015bcinne. Instalacja w pokoju autorstwa Ellen Kobe<\/strong><\/h3>\n\n\n\n

Interwencje artystyczne z pracami Beate Bendel, Ingo Biermanna, Ellen Kobe, Achima K\u00fchna, Coco K\u00fchna, Petry Lottje, Tanji Ostojic, Fiene Scharp, Judith Siegmund, Elisabeth Sonneck i Astrid Weichelt.<\/p>\n\n\n\n

Od 20 maja do 2 grudnia 2017 r. berli\u0144ska artystka Ellen Kobe prezentowa\u0142a \"DIE G\u00c4STEZIMMER\" w Oderbruch Museum Altranft. Wykorzysta\u0142a \u0142\u00f3\u017cko i krzes\u0142o, okno i zas\u0142ony, pod\u0142og\u0119 i st\u00f3\u0142 z wilhelmi\u0144skich mebli z kolekcji Charlotte von Mahlsdorf, aby po\u0142o\u017cy\u0107 \u015blady, kt\u00f3re prowadz\u0105 do przesz\u0142o\u015bci i tera\u017aniejszo\u015bci Oderbruch. Bogactwo maj\u0105tku Altranft, kt\u00f3re topnia\u0142o raz po raz, odegra\u0142o pewn\u0105 rol\u0119, podobnie jak do\u015bwiadczenia mieszka\u0144c\u00f3w Altranft z czas\u00f3w NRD, kiedy zamek by\u0142 centrum kulturalnym. Do\u015bwiadczenia powodzi z 1947 r. s\u0105 przedmiotem refleksji, podobnie jak zmieniaj\u0105ce si\u0119 znaczenie kobiet w kontek\u015bcie praktyki dworskiej.<\/p>\n\n\n\n

Wernisa\u017c projektu wystawienniczego odby\u0142 si\u0119 20 maja 2017 r. w formie performansu Ellen Kobe \"Die Schimmelreiterin\" z udzia\u0142em aktora Thomasa Badinga.<\/p>","protected":false},"excerpt":{"rendered":"

Przestrze\u0144 do rozmowy o regionie i nie tylko....<\/p>","protected":false},"author":1,"featured_media":14073,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-fullwidth.php","format":"standard","meta":{"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[45,31],"tags":[],"class_list":["post-1564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-raeume","category-rundgang"],"yoast_head":"\nGelber Salon - Oderbruch Museum Altranft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oderbruchmuseum.de\/pl\/salon\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gelber Salon - Oderbruch Museum Altranft\" \/>\n<meta property=\"og:description\" content=\"Ein Raum f\u00fcr das Gespr\u00e4ch \u00fcber die Region und dar\u00fcber hinaus...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/oderbruchmuseum.de\/pl\/salon\/\" \/>\n<meta property=\"og:site_name\" content=\"Oderbruch Museum Altranft\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/oderbruchmuseum\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-06-08T11:56:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-28T15:59:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/oderbruchmuseum.de\/wp-content\/uploads\/2025\/01\/gelbersalon.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"oderbruchmuseum\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"oderbruchmuseum\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"24 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/oderbruchmuseum.de\\\/salon\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/oderbruchmuseum.de\\\/salon\\\/\"},\"author\":{\"name\":\"oderbruchmuseum\",\"@id\":\"https:\\\/\\\/oderbruchmuseum.de\\\/#\\\/schema\\\/person\\\/93512e3f164d102fa56fa4f3be852903\"},\"headline\":\"Gelber Salon\",\"datePublished\":\"2020-06-08T11:56:20+00:00\",\"dateModified\":\"2025-01-28T15:59:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/oderbruchmuseum.de\\\/salon\\\/\"},\"wordCount\":686,\"publisher\":{\"@id\":\"https:\\\/\\\/oderbruchmuseum.de\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/oderbruchmuseum.de\\\/salon\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/oderbruchmuseum.de\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/gelbersalon.webp\",\"articleSection\":[\"R\u00e4ume\",\"Rundgang\"],\"inLanguage\":\"pl-PL\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/oderbruchmuseum.de\\\/salon\\\/\",\"url\":\"https:\\\/\\\/oderbruchmuseum.de\\\/salon\\\/\",\"name\":\"Gelber Salon - 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